Another Monday and it’s back to London for a week of transient, suitcase living. The AirBNB experience, a fine way to get to know my way around this big city, plonks me in a small flat that has its shortcomings; scruffy around the edges, the main problem is that I’m in a room in which the radiator chucks out a constant, oppressive heat. I open the window to be greeted by the noise of a nearby train-line. I have no option but to leave the window ajar; without doing so the room is a sauna.
Thank goodness for the free London gig scene. There’s no need to be a prisoner so I rush on out and up to The Old Blue Last. It’s been a frantic day of zooming from A to B and I mightn’t be the calmest I’ve ever been on arrival. Still, it doesn’t matter because live music can work its magic.
And I already know of tonight’s headliner, Two Day Coma. They suitably impressed me back at Farmfest in 2017 when I gave them a whole paragraph in my eFestivals review (here).
“We were camped near to Bristolian band, Two Day Coma, and had laughed from the comforts of our tent as we watched them trying to put their tent up in the windy rain (I did offer to help). Whilst this new band might have lacked in camping skills, they definitely didn’t struggle with soul. Up in the acoustic tent on Saturday evening, we relaxed and sat attentively as they produced a set of intense beauty. In lead singer, Tom Harris, they have a vocalist who has the ability to make the hairs on the back of your neck stand to attention. Lyrically, they’ve got gentle phrases that slap you once you realise how loaded with sadness (and happiness) they are. They offer a very modern wistfulness and I’d suggest they might be ones to watch as their career develops.”
I cannot stress how entertaining it was watching Two Day Coma’s camping attempts at Farmfest. But, I’m surprised that my recollection of the band’s stage performance was so vivid; in reality a day of drinking scrumpy had left me barely able to string a sentence together when they played.
Tonight, at the Old Blue Last, I had all my faculties. It’s lovely to see these boys from Bristol make such a success of their first ever London headline set in this fine night promoted by ‘Down The Line’. Before Two Day Coma, there’s a couple of fine supports who are making the right sort of noise. Monday delays are what they are and I miss first support, Toothpaste, but will find time to watch them elsewhere. Sunnbrella play a dreamy and shimmering indie set. They’ve got the tunes and the confidence to warrant further attention. The get better as their set passes and their confidence grows. By the end members of the crowd are dancing. It’s been a triumph.
“It’s great to be here in the nation’s great capital”, says Tom from Two Day Coma before launching into an early set highlight. They have a casual swagger, a laidback cool; it’s skiffle-folk done through a pop-soul filter. It must warm their hearts to see the decently-sized audience mouthing along to their poetry. And there’s no doubt that words are a key element in their armoury. Clever wordplay that twists and turns, their semi-rhyming couplets a joy to the ears in these days when lyrics are typically little more than an afterthought.
Latest single and set closer tonight, Shudder, is a case in point. The symmetry of the interchangeable eye/I forming the lyrical basis for a fine ‘hamster in a treadmill’ moment. All those gathered tonight know that this has the potential to be a hit. And most leave believing that they’ve caught Two Day Coma early in their journey towards a Top Of The Pops set (if only the programme still existed).
I head back to the heat of the flat in a much calmer state than when I left. Monday’s mightn’t be all bad.