Much as I adored my Easter break in Spain, I couldn’t help but pine a little for the gig scene I was missing back home. Feeling completely refreshed, it’s quite lovely to end a humid day returning to the day job with a sweaty night at the Old Blue Last.
I drank far too much wine in Spain. It’s this that convinces me that a few weeks of lime and soda will do me right. I wasn’t taking into account my weak will and lily-liveried determination though, especially when faced with a sign that announces free cans of Old Blue Last lager between half eight and half nine. I succumb. It’s a tasty lager and a more-than-welcome freebie on this balmy evening.
Saxon Zine and Cool Brother have joined together to curate a trio of Tuesday night residencies at the Old Blue Last. Not being one of the cool kids, I have little idea what Saxon Zine and Cool Brother are. But I pick up an art-laden, well-produced fanzine from the merch desk The typeset demands reading glasses but Cool Brother certainly appears to have its finger on the pulse. I’m sure that Saxon Zine is the same. And it’s nothing short of lovely to witness a world of independent music/art writing and thinking in print form.
There’s four bands on tonight. It’s the headliner, Peeping Drexels, that had piqued my initial attention. Our paths have almost crossed before and, based on the few tracks I’d heard, it seemed right to do a reccy in advance of The Great Escape in a few weeks.
They don’t disappoint. Younger than I’d imagined, this South London post-punk thing is all the rage right now. With obvious nods to the all-pervading influence of the Fat Whites, Peeping Drexels stumble around the stage as if the free beer has taken too much of a toll. Lead singer, Dylan Coates, can hardly keep his eyes open but that doesn’t stop him from nonchalantly lurching whilst angrily and angularly posing. He’s a bit yobby and a tad gobby; less spit than Joe Talbot and skinnier than Shaun Ryder but positioning himself somewhere between the two all the same. It’s thoroughly engaging stuff.
The band might adopt a shambolic stance but their playing is anything but. Tight as fuck they manoeuvre out of their post-punk comfort zone into Bhangra-based spaghetti western spaces. When they really funk things up, I’m reminded of a ‘Bummed’ era Happy Mondays. Kind of exhilarating.
As much as I enjoy Peeping Drexels, they’re not my night highlight. That accolade goes towards penultimate band, h0nkies. On paper it probably shouldn’t work. This five piece look the part and are hard to take your eyes off. Specialising in a skewed-psych Americana, I’d be completely showing my age if I said that there’s more than a passing resemblance to those legends from the late 1980’s, the Colorblind James Experience. I reminisce about considering a move to Memphis whilst the guys on stage playfully let off steam with their cowpunk skiffle. It might be laden with irony but it brings a smile to my face and for that I’m happy.
Luxury Apartments have great T-shirts. I spy this when I pick up the fanzine at the merch desk. On stage, they’re not appalling but rarely appealing. A traditional punk all-male three piece, they stick to tried and tested paths. Their manner is almost apologetic as the set is nervously delivered. Vocally, there are tinges of the late, great Pete Shelley if it wasn’t all so unintelligible. With a bit more stage nous and a desire to project their art, Luxury Apartments could be selling a lot more T-shirts.
The evening is opened by deep tan. Another three piece and as a whole I like them. Projecting a Kenneth Anger film whilst they play (Inauguration of the pleasure dome for anyone interested), the occult and magick imagery goes well with their moody, light psychedelic throwback. Some tunes might arguably lack depth and progression but when deep tan’s stride is found there’s more than enough by way of tune and chorus to satisfy.
Free beer, free fanzines and a free gig with four interesting acts. Oh London, I’ve missed you.