On the weekend that Australia Day falls, it feels strangely right to be watching an act from Melbourne who’s making waves. WILSN is currently on tour supporting The Teskey Brothers but tonight’s a night off and so the rising poppy soul sister takes on her own London headline slot at the intimate but all sorts of lovely Folklore.
I’ve been to Folklore before. I like its quirky charm, the vintage glassware, the backroom gig space that’s made out like a rural conservatory, foliage everywhere. A place with fine foibles we can agree.
On arrival, Mabes is playing. It’s her and an acoustic guitar. She plays well and has a cute voice whilst singing about the things that impact upon London-based youngsters in 2020. She tells us that she doesn’t easily fit in at parties but fills this room with her charm. I’ll try to catch a full set next time.
The sound at Folklore is fab. It’s clear and crisp and made for WILSN and her three piece. She has a drummer and a guitarist/keyboard player for accompaniment but also utilises backing tapes to work her magic. And it is magic; sweet and soulful, powerful where it needs to be and with an ample splash of gospel to keep aficionados intrigued. Her voice quivers a la Mariah Carey but WILSN stops short of the excessive theatrics that render MC unlistenable.
Yes, at times it does all goes a bit X factor and you can’t help thinking that WILSN needs to get a bit better at the between-song banter. But that will surely come over the course of this current tour. She’s delighted that crowds have come out to see her but she shouldn’t be surprised because the talent is there for all to observe.
Sporting an Alicia Keys T-shirt, there is something quite old school about WILSN. She plays a tune written last year in London with her friend, Tobie Tripp, and you suspect that milking these collaborations is a fine way forward.
It’s been a fun Friday night. I’ve even had a bit of a dancefloor shuffle at the more up tempo moments. You can’t say fairer than that.