It would be very easy to be sniffy about Tazmin. Looking towards her pure pop pedestal, first impressions might suggest that there’s little more here than an X factor wannabee. One could quite easily dismiss her achievements to date as a typical career path of those who are building up to a future of reality TV shows followed by pantomime in Peterborough.
But to allow any sort of musical snobbimess to guide your judgment here will be missing the point. So, she’s been a child-star in China, turned out for Disney and won talent competitions that only really exist to make money for their organisers. From the outside looking in, her route through all of this might not be as tragic as some and her back-story less compelling.
Let’s not beat around the bush. Tazmin has talent and a work-ethic that’ll put many to shame. Take this tune of hers, Nine More Lives, a song about forgiveness and getting a second chance. Unlike many of your indie stars with a team of songwriters behind them, Tazmin wrote and semi self-produced this 80’s-influenced banger all on her own. And to do so, she openly notes that she drew influence from the songwriting guile of Nile Rodgers, studying the structures that he employs with such dynamic effect. She might not spell her name as TZMN but Tazmin has a broader range of skills to draw upon.
Even if the pop-funk singalong focus of Nine More Lives doesn’t entirely float your boat you have to admit that the video, shot last year in Wadi Rum & Petra, Jordan, is a thing to lift you from the drudgery of your own miserable Winter experience. It’s cool to see sunshine and sights when your own horizons are limited.
Tazmin doesn’t need to be using one of those nine lives to draw me in. But drop your own misconceptions,, give tunes (and artists) such as this a second chance and you might get a welcome surprise.
Thank you for such an amazing review!