Guy Jones – Leicester Cookie – Thursday March 3rd 2016

I’ve been submitting lots of reviews to the Leicester Mercury recently. Mostly, they seem to appreciate my efforts and to publish my thoughts within the paper. Sometimes, they’ll post my reviews on line as well. I’m doing this with one main aim in mind. I think that supporting live music, especially gigs that are happening locally, is a really important thing to do. If people are more aware of the quality and vibrancy that occurs every night in our fair city, perhaps they’ll be more inclined to venture out themselves. 

Last week, I reviewed an old friend of Sonic Breakfast, Guy Jones, at the Cookie. The Mercury might have printed this but I didn’t spot it so I’ll copy here instead. 

 Guy Jones, the travelling troubadour, has made the relatively short trip from Halesowen, to charm us at the Cookie on a Thursday night. His special brand of Americana-fuelled songwriting is amplified and electrified by a tight and talented quad of musicians. Guy grew up in West Brom so this is Country music formed in the Black Country streets. We respond by lapping it up, albeit politely.

It’s by and large a gentle affair. The room, laid out in a cabaret seating style, allows us to relax as the weekend approaches. Guy has a laidback, natural manner and does his best to draw us in with pleasant singalongs and simple handclaps. Guy sings about real love; he has  a song about friends who grew up bullied; a song about people he’s met whilst touring the States and a song about how he’s grown from a spurned, chubby teenager to a young man able to capture his girl’s heart. 

These tunes (and others) will all be found on Guy’s forthcoming album that’s due for release in May. It’s a sign of the high regard that Guy’s fans hold him in that this was fully funded through a Pledge campaign. Recorded in New York, it’s going to be crammed full of the melodies and harmonies that Whispering Bob Harris and other Radio 2 sorts are likely to praise highly.

Credit for the harmonies at this gig needs to go to Guy’s keyboard player, Kerry Smyth. Their voices weld together with such robustness that it’s very easy to get drawn into this world. Earlier in the evening, Kerry had given us a set of her own songs and covers. She’s a younger Beverley Craven but entertaining enough. Local lad, Reuben Wisner, opened the show with considerable craft and skill. Acoustic pickings, polite audience singalongs and occasional tracks with loops and layering are Reuben’s thing. It sets the mood for the evening well. 

But the night belongs to Guy. Confident without being cocky, this is optimistic and cleansing. Affable and tender, good-natured and nice, we drift away into the night hoping that Guy made enough on the Merch desk to get home to Halesowen. 

 

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