I’m glad to see that Wovoka Gentle are slowly and gradually expanding their fan-base. One of the many perks of going to lots of summer festivals is that you ‘discover’ live acts that you quickly grow to love. You get home, clean out the mud from your tent and reflect on what you’ve seen.
Here’s an extract from my eFestivals review of Nozstock back in 2017 (full review here)..
“Earlier in the day, I’ve accidentally stumbled across a new favourite band here though. Think of a folkier version of Caribou and you’d be in the right space for imagining Wovoka Gentle. A three piece, they all convene around an array of instruments in the centre of the stage. With electronic bleeps merging in with more traditional ‘folk’ instruments and their own sampled and looped voices, they produce a blissed-out psychedelia perfect for a Sunday afternoon. There are criminally few here to watch, perhaps because Wovoka Gentle are a name not widely known but I’d recommend checking them out with haste. I curse myself when wondering about what other delights I might have missed around Nozstock – though you can’t be everywhere.”
Given the new favourite band status, I’ve been disappointingly tardy in writing about them on Sonic Breakfast. A whole year has passed since Nozstock.
A few weeks ago, a lovely PR agency informed me about a new Wovoka Gentle release. This song, 1,000 Opera Singers Working In Starbucks, was right up Sonic Breakfast’s street. It even had a sparkling video with mad animations. I listened, watched and loved. Diligently I added their name to my makeshift list of bands I really must feature. And didn’t.
Last Friday news arrived of another new Wovoka Gentle tune, Peculiar Form Of Sleep. I was on my way to Benidorm for Visorfest and, in theory, I’d have time to piece some words together whilst sitting on the tram between Alicante and Benidorm. Instead, I watched as we hugged the coastline, passing pretty coves and stretches of beach less populated than the towns book-ending the tram ride.
Wovoka Gentle played London’s ICA a few nights ago. I wish I’d been there. As I’d witnessed back a-while, this trio of clever conjurers magically play with time signatures, traditional rhythms and folk melody to give the most compelling of shows. One wonders if they’re actually as laidback as they appear or if offstage they’re more highly strung. It feels right to write about Wovoka Gentle whenever the mood takes because that’s the ethic they seem to promote. Like a British version of Animal Collective, it’s fascinating to see how this tribe will develop.
I might write about them again and it mightn’t take a year. They remain a favourite band.