10.28.14
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Chemistry Lane – An interview

I first met Dan from Chemistry Lane at the 6 Music Festival in Manchester early this year. It was late and I was spectacularly drunk. Mark King from Level 42 fame was buying drinks for everybody but us. We bonded over such rejection.

Dan told me about his band and gave me a CD to listen to. I threatened to start a blog so that I could feature bands such as his. I didn’t know if I’d like Chemistry Lane back then but suspected I would.

 

I’ve been sent things in the post since – press releases and videos on beautifully designed, bright orange memory sticks. For Chemistry Lane, the image, style, product and concept is important.

We had a crazy, mad night dancing in the silent disco at the Off The Tracks summer festival. It was also spectacularly drunken. Earlier, Chemistry Lane had proved to be one of the highlights of the whole festival. I loved their approach to live performance. I loved their sound. They have answered my questions in delightful fashion. This is well worth a read.

Introduce Chemistry Lane to the readers of Sonic Breakfast in no more than 100 words….

Bridging the gap between the intensity and momentum of a rock band, and the clinical electro loops of dance floor hypnosis, Chemistry Lane surf waves of paranoia that redirect your gaze toward the illusion, like sleight of hand in reverse. Or we make the music that we want to hear that hasn’t been made by anyone else yet.

Where does the name ‘Chemistry Lane’ come from?

Choosing the name was quite a lengthy process, suggestions would come and go, gloried by some of the band, pilloried by others. In the end, Sam noticed a rather unique street name in Sandycroft, North Wales and it was the offering that met with the least resistance. Chemistry Lane were born.

What’s been the highlight of 2014 to date for Chemistry Lane?

Our first gig of 2014 was supporting 65daysofstatic. Playing with a band which we all hold in great esteem in our hometown was pretty special. FestEvol at the Kazimier in Liverpool was a superb event, very enjoyable to play with the added bonus of some fine reviews. The same was true for Off the Tracks Festival in Derbyshire, however the undoubted highlight was releasing our debut single ‘Faustian’. Making the accompanying video was a fun experience though we fear we may lose drummer Sean to Hollywood after his much-lauded and captivating performance.

What’s the process that’s involved in writing your material?

It’s like an argument where everyone is on the same side but no-one agrees, like a jigsaw where you don’t have all the pieces, the box, or any type of illustration, and reaching a consensus is occasionally like trying to catch a lubricated eel in a tumble dryer.

Getting signed to the Victoria Warehouse label. How did that happen and how do you see that developing?

We were approached after our second self-released EP launch by the founder of Victoria Warehouse Records Danny Hambrook. That night saw us take the visual element of our show to new levels with lights, visuals and video projected against an all white background. This also included the band dressing all in white, a look that becomes bassist Dan surprisingly well. Our set had reached a point where we felt we were breaking new ground and really starting to connect with audiences, and that was recognised by the label.

The label provides an opportunity to have our releases distributed and promoted, and hopefully make the most of the opportunities that can arise from the growth of the label. The labels attachment to the Victoria Warehouse venue which recently hosted the BBC 6Music festival is also an exciting prospect.

If you were curating a festival, who would be your headliners (dead or alive)?

Good Question. We could quite easily have spent the remainder of 2014 debating this, but we’re now super professional and have an album to record so we’ve settled on:

The Who (circa 1970)
The Doors (circa 1967)
Ziggy Stardust (circa 1973)
Fugazi (circa 1998)
Marvin Gaye (circa 1971)

What’s the music scene like in Chester? What do you most like about living there and what do you most despise?

Chester has some good bands but there isn’t much of a ‘scene’ as such. Like us, the bands with a bit more ambition play the odd gig in Chester but focus their attentions further afield. Chester has some good restaurants and a zoo. We find the low crime rate beneficial when taking a late night stroll listening to minimal electronica.

‘Despise’ is a strong word for peace loving folks such as ourselves, but the Tory council run by mustachioed masons is a definite negative, as is the lack of a cinema or theatre. These factors made the Chester’s recent bid to become the City of Culture rather comedic. But it does have some good schools and a zoo.

Should those watching the video to ‘Faustian’ believe that it offers them an insight into the lives of Chemistry Lane? Are any of your influences seen within the images?

The video is cut through with a definite Orwellian influence and carries a political/social observation that a lot of people can relate to. Maybe this speaks of our hometown too. A typically Cestrian existential crisis surely involves a resident rising one morning and realising they’re never going to escape middle management in a multinational banking and financial services corporation and even if they could, they wouldn’t.

Where will Chemistry Lane be in twelve months time? What will you look to have achieved?

Our primary aim is to have our debut album finished, released and for us to be happy with the result. The plan is also to gain wider exposure through the album, bigger gigs and festivals, measured by the increasing nature of our font size on gig posters.


10.23.14
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Jet Setter – Dippin’ Toes

“If you dip your toes into something, you start doing that thing slowly and carefully, because you are not sure whether it will be successful or whether you will like it.”

And such is the cautious dilemma that lead singer, Ross Hamer, finds himself in for this latest single from Dublin’s Jet Setter. Amidst a fuzzy guitar riff, decisively speeding along towards its final resting point (there’s so much hurry in this two minute gem that there’s no time for a chorus as such) Hamer tries hard to hammer against the urgency. He’s really not sure whether he likes this person/this thing very much but he keeps coming back. Five times.

Today, Jet Setter have released a video for the song. This shows them off as the jaunty exuberant lads that I thought they might be after listening to their tunes. Pizza spinning, jocular banter and bargain buys, it might make you feel a bit hungry. I’m not sure that it says anything about ‘Dippin’ Toes’ and was probably just filmed as an excuse to get free pizza. This is no bad thing.

Long may such indecisiveness continue…

 

10.17.14
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Eliza And The Bear/Lisbon – Leicester O2 Academy – Scholars Bar

The rain is pouring and the leaves are falling. It’s a trudge through the congealed sludge of Autumn’s detritus as I make my way to Leicester O2’s Academy to see Eliza And The Bear. “We’ve never been to Leicester before“, announces lead singer, James Kellegher, towards the end of that set and you find yourself wishing that they’d seen it on a warmer, sunnier day.

For Eliza And The Bear’s singalong, sunny, festival-friendly brand of rocky pop is best perhaps imagined when accompanied with a cider in hands and the heat beating down. The largely female audience here, at this O2 bar that’s attached to Leicester University, are doing their best to relive their post-A-level states of bliss by mouthing along to the words from the songs they recognise. The marching, uplifting beat elicits raised, clapping hands from the Freshers. Fan girls at the barrier exchange glances with each other when they sense that guitar player, Martin Dukelow, has flopped his excess of blonde hair in their direction.

It’s difficult not to get caught up in this sweetness. There is an undeniable charm and happiness about the proficient pop that Eliza And The Bear produce. “I’ve got friends. I’ve got family here“, sings James in Friends, the set opener. It’s this inclusive tone they establish that remains throughout. They want you to be their mates, because they are all mates together. They’re more than happy to chat with you at the merch stall after the gig. They sympathise with support band, Lisbon, who have had much of their gear stolen the previous night in Birmingham. Bands often seem to get their kit nicked in Brum.

 

I only managed to catch the last three numbers from Lisbon but any unfamiliarity with their instruments doesn’t show. On the evidence of tonight they come from that same sunny factory as Eliza And The Bear. There are backing tracks adding to the layers here but nobody in the appreciative audience seems to mind that. A general tick in the box from this direction and I’ll mark them down as ones to watch in full when I next get the opportunity.

Eliza And The Bear do not seem to be lacking in equipment. This is a show in which their guitar tech is kept pretty busy with Fenders being replaced by Gibsons. Towards the end of the set, Martin is handed an acoustic guitar and the rest of the band, apart from James, leave the stage. It’s the obligatory chilled-out moment and a chance for this duo to show off their vocal and musical talents. The girls at the front don’t need sunshine to melt at this point.

“We’ve spent a year now writing our debut album and in two weeks time, once this tour is done, we’re going to head into the studio to record it,” offers James during the set. On the evidence of tonight, a spring release should set Eliza And The Bear up nicely for some sunny, Summer days.

Eliza And The Bear were previously interviewed by Sonic Breakfast. You can read that interview here.

 

10.16.14
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Musicport Preview

This coming weekend I’m off to another festival. I’ve lost count a little but I think it might be my 19th of 2014. It’s been such a privilege to be able to go to so many, writing for eFestivals. I said this last year but I won’t be doing so many in 2015.

Musicport was a great way to finally draw my festival season to a close in 2013 (review here) and I see no reason at all why it won’t offer similar delights this year. There’ll be wanders around the lovely harbour and beach strolls before heading along to the Whitby Pavilion for musical delights drawn from across the world. The Whitby Pavilion is a great venue to hold such a festival. Built onto the cliff edge, you look out to sea from the glass/perspex covered auditorium and can’t help but be grabbed by the horizon. There’s a whole world out there (or at least the North Sea).

It’d be wrong of me to pick out particular highlights; last year’s festival was about trying to see things not previously on my horizon. But, there will be an element of reacquaintance with acts I’ve seen over the course of the year.

I’m sure that the Sunday afternoon slot for Catrin Finch and Seckou Keita will be the perfect antidote for Saturday nights hangover. When I saw them play at Shambala’s main stage over the August bank holiday weekend (full review here), I commented that, “I lie down on the ground and rest my eyes whilst letting the beautiful sounds of Catrin Finch & Seckou Keita wash over me. On paper, a merging of Welsh folk played on a harp and African protest played on a Kora doesn’t necessarily work but Catrin and Seckou are recommended by Songlines for good reason.”

I’ll be delighted to see The Crazy World Of Arthur Brown again. It feels a long time ago that I drank cider in the shelter of a church whilst hiding from the rain at Lunar Festival. Arthur Brown, still very much the god of hell-fire, delighted the young son of a good friend by posing with him for a photo. I said about his set, “It’s hard to believe that Arthur Brown is a man in his 70’s such is the energy with which he sets about playing old and new songs. He tangos in flames with a sultry dancer who joins him on stage. His colourful make up runs down his balding pate as he tells us all with absolute conviction that he is the God of hellfire.”

And how nice it is to see the band from Birmingham’s conservatoire on the bill. Steady Hands impressed all who saw them at OBS events at the Musician in Leicester. I wrote about them in an early blog post here. I’ll be excited to see how they’ve developed this year.

So, here’s to a weekend of great music – new friends, old pals and great company. Headlining the Saturday night are Lo’Jo, a band from France who are raved about but who I’ve never seen. Here’s one of their videos from a live show. My French is a bit rusty. I might need a translator on the night.

 

10.15.14
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Alexia Coley – Drive Me Wild

Sometimes, you just want music to make you smile. You want it to be happy, uplifting and positive. There’s a place for the earnest, the morose and the angry but there are times when you just needs a healthy snack. On days such as these, when it’s damp and drizzling outside, I often get my fix from Soul music.

Londoner, Alexia Coley, has just released her debut record, Keep The Faith, on Jalapeño Records. I’ve not heard it from start to finish but there’s an album sampler on Soundcloud that gives a pretty good indication of where this is rooted. Here is a woman with a special voice backed with a stack of sax and a ton of tune. At times tender, sweet and sultry and at times bursting with a big band raw gospel power, Alexia sings lines that manage to sound both familiar and fresh within the same sentence. As her marketing says, this is “a modern twist on classic soul”.

The video for Drive Me Wild, one of the lead singles from the album, doesn’t need to employ gimmicks or effects to make it work. There’s a simple, smiley joy at play here. Only the most hardened heart will fail to go ‘Awww’ as this draws to its concluding moments.

See if it gives you that kick…

 

 

 

 

10.13.14
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Ryan David Orr – Margaret

Monday morning… It’s all come around far too quickly… Weekends are but a flash in the pan…

Let’s all ease ourselves into the week with this laid-back, gentle folk number from Ryan David Orr. He’s an experienced songwriter on the North American folk scene and in this tune, ‘Margaret’, Orr brings his soothing voice to the fore. I’m reading it as a song about lost opportunities, mistakes that have been made and dreams yet to be realised. There’s something hauntingly positive within as well though and it’s this that makes for a good Monday morning listen.

I asked Ryan (a qualified massage therapist) to tell me an entertaining story about the touring and travelling life he sometimes leads when he’s not living in the home he’s built for himself in the mountains of Arizona.

This past May I had the great pleasure of playing at the Bitter End, legendary music venue in New York City. I was extremely excited and a bit nervous, and parked a couple blocks from the venue after scouring the city for a parking spot. I was right on time to the venue, played my show, checked out the band that played after me, had a great time and then went to pack my gear in the car.

Well, apparently I had parked in a “no parking” zone, and found an empty street where my car had been. I ran my license plate through the NYC database and discovered the car had been towed and was being held by NYPD at one of the pier warehouses. Being from Arizona, I was not happy about the prospect of not having my car until they opened again the following Monday, so I scrambled to get to the pier before they closed. However, all of the taxis that passed me were off duty and I couldn’t get a ride, so I opted to rent a bicycle and ride like hell to make it there in time.

So at about midnight, there I was, out-of-state musician, post performance, buzzed from a few microbrews at the venue, peddling frantically up New York City’s west side to beat the clock. I finally arrived and they informed me that my registration had expired two days earlier and I couldn’t have the car until I was valid. My phone charger was in the car, so with about 2% charge left on my phone, I fumbled to quickly hit up the AZ motor vehicle website and pay my registration. My payment went through literally 30 seconds before my phone died.

So they finally gave me my car, but now I was stuck with this freakin’ bicycle that I had to return to some rental site. So I shoved it in the back, managed to barely close the door, and went searching for the bike drop-off. Got the bike back, went back to the venue, got all my equipment, then finally drove to my friends’ house in Brooklyn for the night, several hours, hundreds of dollars, and a pretty solid bike ride later.

Next time I’m taking a train.

Here’s hoping that your Monday mornings are a bit better than the aftermath of Ryan’s gig at the Bitter End. If you like what you hear within this video then do head across to his website here to listen to more of his music and to find out more.

 

10.11.14
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Wampire – Bazaar

My day job is taking me to London quite a bit over the next couple of months. I plan to make the most of this by getting along to some gigs of bands who aren’t touching the East Midlands when they tour.

One such band is Wampire. Eric Phipps and Rocky Tinder (what a fabulous name) met at school. They settled upon the name, Wampire, after hearing German goths mispronounciating Vampire.

I wondered with interest about their 2013 album, Curiosity, but they’ve truly raised the bar higher with their new release, Bazaar. Some reviewers call them psych-pop and there’s definitely elements of that yet I think this album takes them further into some of the punkier, rockier, soul stuff only hinted at before.

Indeed, this is an album that draws upon many influences and then fuzzes them together into a Wampire sound. A bazaar is a street of shops where goods and services are exchanged or sold and Wampire’s album, Bazaar, definitely meets that definition, offering up a range of styles to keep the listener curious.

They’ve just released a video to one of those Bazaar tunes that touches on soul. The muted sax that runs throughout Wizard Staff comes to the fore in this bizarre yet completely creative video. It’s worth watching if you’ve got any interest at all in wizards, private detectives, tandem bikes or roller skating.

I’ll be listening to Bazaar a whole lot more before I head off to their show at Oslo Hackney on November 24th.

 

10.08.14
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Heyrocco – The Cookie Leicester – 6th October

“This song’s about premature ejaculation”, drawls Heyrocco’s lead singer, Nate Merli, as this much vaunted trio from South Carolina launch into their opening song, Melt (previewed here). It’s not packed at the Cookie in Leicester but it’s fair to say that those in attendance have had their attentions fondled.

Such blunt introductions to their songs continue to characterise this gig as we get to know the interests and attitude of these Nirvana influenced pop-punk kids who balance self-deprecation with an assured swagger. “This song’s about being a loser”, states Nate but we don’t believe he really believes that. Two swooning Japanese fan girls mouth along to the words and you sense that Nate will soon become a winner.

He’s certainly quite a captivating frontman. Shambolically dressed in odd converse boots (does wearing one black one and one white one make them inverse boots?), Nate jumps and flails around the stage. He’s playing at being a tortured soul, a bit too charming and polite to ever completely descend into madness but when he stands up straight and rolls his eyes into the back of his head, you wonder if he’s about to fit. The stage at the Cookie is only raised a few inches higher than the audience but at one point, Merli brings his microphone stand and guitar amongst us to really break down any sense of them and us.

Bass player Christopher Cool, acts as his name suggests and stays calm throughout concentrating on creating a tight rhythm section with Taco Cooper on drums. There are times when these two freak out but those are few and far between. The final song of this 40 minute set arrives which signals the right time for Taco to leap from his bass drum, rugby tackling Nate to the ground. It’s a play fight, a high school rumble but perfectly in keeping with the laddish euphoria these mates are trying to create. It’s also a pretty fine climax for a gig that started with a song about premature ejaculation.

You have to give special credit to the excellent promoter for this gig and many others that happen in Leicester. Ian Magic Teapot has been putting on gigs for years and I’m sure he must lose a small fortune when potential punters decide to stay in their warm houses instead of venturing out into cold Autumn nights. The shame of it all is that tonight at the Cookie for a mere fiver, people would have seen a band that are still learning their live craft but are already displaying the signs that any return visit to these parts will demand larger venues and more of a ticket scramble.

 

10.08.14
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Dory Previn

I’ve been listening to a lot of Dory Previn recently. She’s an artist that I really wish I’d not overlooked for so long. Lyrical intelligence, vocals somewhere between Karen Carpenter’s and Amanda Palmer’s and musical arrangements from heaven, this is stunning stuff.

Dory Previn died in 2012 at the age of 86. She stopped releasing albums in the mid 1970’s but there’s an incredible canon of work against her name that I’m only just discovering.

What a life she had. There’s a candid honesty within her songwriting that’s tender, sad, occasionally uncomfortable but often darkly humourous. These are stories about her own life; her Catholic upbringing, her time spent in mental institutions and her complicated relationship history. She’s lived these songs.

Many of her songs linger on her strained, complicated relationship with her father. A war veteran, he apparently never resolved some mental battles after being gassed. When young, her father boarded his family up into the house they lived in and held them captive by gunpoint for months. Dory often reflects on how she could never gain his approval or love. I’m not sure she says it any stronger than on ‘I dance and dance and smile and smile’ from her 1971 album, ‘Reflections In A Mud Puddle’.

She’s got songs about casual flings and one night stands; awkward, compromising situations that focus on inadequate human relationships. ‘Coldwater Canyon’ and ‘The Lady With The Braid’ are good, starting points if you’re drawn to such songs. Her marriage to Andre Previn broke down and ended in divorce after he had an affair with the 23 year old Mia Farrow. And, true to form, she writes candidly about the experience in ‘Beware Of Young Girls.’

I spent a couple of fine hours in bed last weekend listening to a fine radio interview that Bernadette Cahill conducted with Dory Previn in 2005. Interspersed with fragments of Previn’s songs, this is a relaxed and gentle, thought-provoking, sometimes laugh-out-loud exploration into an incredible talent.

I’ve joined the fan club.

 

 

10.02.14
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Cross Wires – Your History Defaced

“When you’ve got Crosswires, Everything is Buzz Buzz,Everything is Beep Beep”…

It is surely no accident that Cross Wires, a four piece from East London, share their name with a track from XTC’s first album. There’s a moment in ‘Modern Art’, the opening track from ‘Your History Defaced’, the dark and desirable new EP from Cross Wires, when you wonder if Andy Partridge and Colin Moulding have got back together for one final studio blast. The meandering verse gives way to a skewed chorus that’s almost singalong if new wave post punk is your thing and you really hate the concept of singalongs.

 

Yep – Cross Wires have no crossed wires when it comes to understanding their place in the history of popular music. There’s a raw, deliberately under-produced excitement that permeates throughout this five track EP. “The past is always repeating, I can’t run away“, sings Jonathan Chapman within ‘Tab Clear’. This is an EP with a knowing nod towards early Jam, a dash of mod and a double serving of punk.

I asked Jonathan why Cross Wires had settled upon ‘Your History Defaced’ as a title for this EP:-

“All the songs on the EP are kind of twisted versions of things that have happened to me. The idea behind it was we are all carrying around this baggage with us and we all have our own reality. Two people can have two different versions of the same event. It comes from that idea really.”

That sense of unresolved baggage from the past looms large; ‘Last Stand’ tells the mournful tale of a woman who’s getting older and no longer ‘rules the town’ as she once did. Elsewhere, we have persistent ghosts living in houses, misunderstandings and future days filled with dread. This is music that can hardly be described as happy; it comes from too claustrophobic a place for that. Sonic Breakfast highly recommends that you give it a listen over at Bandcamp.