Si Clancy – That’s All

A couple of weeks ago now, I went along to a session organised by BBC Introducing in the East Midlands. I wrote a bit about it here. At the event, I bumped into Si Clancy. We’d talked briefly before at a party before Christmas. But, I was incredibly drunk at that party and I doubt that our conversation made much sense. 

Before Christmas, Si was talking enthusiastically about his album/EP that he’d spent a considerable amount of time and money recording. It was clear that this was a project that was a labour of love, something that Si simply had to do. Evidently, once released this was going to have quality stamped all over it – recorded at Yellowbean (a studio that I’m told is the best in the East Midlands and one that can compete with those in London), produced by Jez Burns (the best local producer if you’re looking for attention to detail), partly orchestrated by the wonderful Martha Bean and then mastered at Abbey Road, this was a project unlikely to fail.

At the BBC introducing event, Si gave me a copy of ‘That’s All’ in advance of the official launch this Thursday at the Musician. I’ve been listening to it on and off in my car on the drive to work ever since.

There’s six polished, exceptionally well-produced tracks on ‘That’s All’. I’m not sure whether six tracks makes this an EP or an album but I guess such detail doesn’t matter. At his core, Si Clancy is a singer songwriter that will appeal to those women (and men probably) who listen to Radio 2. He has a voice that I’d place somewhere between James Blunt’s and Passenger and a songwriting style that takes a leaf or two out of Tom Baxter’s songbook. What sets this apart from many singer/songwriters on the scene at the moment are the string arrangements  and orchestration within. Starting gently, each song adds layers onto layers, detail onto simple starts which makes for an engaging listen. The exquisite voice of Martha Bean adds texture and depth to the tracks completing a beautiful concoction.

These songs mainly focus on loss. Si is in a place of anguish and he wants us to know about it. Whether it’s alone in his  bedroom, lights out and making calls to a partner who’s not answering (as he is in the EP opener ‘What would you know’) or repeating patterns of behaviour that he knows are ultimately futile (in ‘Old Abandoned Feeling’), here’s a man on the edge of making some life changing decisions if he could just muster the confidence to do so. It’s only in stand out track, ‘Breathe In, Breathe Out’, that Si grabs the bull by the horns, takes a deep breath and says that the ‘doubt is no longer going to kill him’. He mans up and throws his troubles away. Martha sings like an angel which can only help that decision making process.

Already getting considerable airplay from Dean Jackson at BBC Introducing, Si has created something here which will have a mass appeal. The indie kids, rock chicks and dance fanatics are likely to walk on by but those who are able to appreciate the beauty of things will surely stay a while and spend time testing all that’s ‘That’s All’.

 

 

If you’re Leicester based, you could do worse than take a trip down to the Musician for the launch on Thursday. For a fiver, you not only get Si but also Martha Bean, Joel Evans, Adam Dunmore, Thomas William Shephard and a new acoustic group called ‘Thawn’. 

 

 

Abandon Her

Tonight’s been another showcase night. 

A new venue for this blog but not a new venue for me because it was back to the shed. 

The shed is an earthy grunge of a venue. Every city should have one. 

 The shed is a legendary Leicester venue. It’s the venue where Kasabian developed their craft (apparently). It hosted the Arctic Monkeys the only time they’ve played in this city (to my knowledge). I walked in and was met by Kevin, the owner. He has always been a charming man. He still is. It was like I’ve never been away. 
 

Five bands on tonight but I’d like to feature Abandon Her. I’ve seen them before and even though that was more of an acoustic affair, the talent dripped through and I resolved to see them again. Abandon her are a band of hers and a drummer called Giles. You’re not going to get rock posturing from them but instead it’s polite, clever, AOR harmonies over guitar and piano pop. They have a tendency to slip a few too many covers into their set for my liking. On the evidence of tonight, they don’t need to for their own songwriting stands up to critique. It’s infectious, singalong pop which probably bypasses Radio 1 and heads straight for Radio 2 territory. This is no bad thing.

 

And that perhaps means it’s not for everyone. 

But, when the city is populated by boys with guitars singing in Sheffield snarls in an effort to impersonate Alex Turner, I say good on Abandon Her for ploughing a different field. 

 

Sean Grant & The WolfGang

Another showcase night at the Musician in Leicester tonight and seven bands took to the stage for twenty minute slots. Hard work for the compere (me) who earned his lime and sodas tonight. 

Sean Grant & The WolfGang made the short trip up the M1 from Northampton for this gig. They’re becoming regulars at the Musician (this is their third performance here in 2014 and Sean has played an acoustic set in addition). They’ve already been confirmed on the line up of Simon Says, Leicester’s local summer festival, with a line up pulled together by key venues. It’s fair to say that they’re getting noticed in these parts.

And it’s entirely right that they’re getting noticed. A cool image without tunes is worth nothing in my book but thankfully this is a band that has both. You suspect that they spend hours grooming their facial hair before a show but the rewards are fine and the moustaches sharp. Tattoos and designer Dr Marten boots with white laces complete the image. 

It’s energetic folk music channelled through a Britpop filter. Sean sings stories about prize fighters and working class heroes. He references the industry and drinking culture of Birmingham and Kilburn. There’s political and social history in these tunes, a dash of romance and a pint of pain. 

Sean announces tonight that an EP is coming out sometime in May. But, the exciting label on which it’s going to be released have yet to give him a date. Videos have been made to accompany each track on the EP and one of those has already seen the light of day. It showcases well the excitement that this band are generating. 

New Walk – Ganja Tent

New Walk is a pedestrianised Victorian promenade in Leicester. It connects Victoria Park with the town centre. On warmer, summer days, people chill, sunbathe and throw frisbees on this park. Some even share funny cigarettes. 

New Walk is also the moniker used by dubstep producer, Taylor Burton. There’s nothing pedestrian about him though. 16 year old Taylor has all the potential to put Leicester and Leicestershire on the map. Already played by DJs on Radio 1 Xtra and with mixes widely circulated by well connected magazine editors and PR gurus, there’s a buzz about this lad.

Taylor also plays in Tapestry, the band that I raved about here less than two weeks ago. One of their live highlights is the tune, Ganja Tent. Ganja Tent began its life as a New Walk production and today, Taylor has dropped a new version of the track onto Soundcloud. 

The sun was doing the best it could to shine brightly today. Listening to this track, I couldn’t help but think of blissful Summer days that are on their way. Chilled out to a horizontal, hypnotic degree, you can lie down and allow the relaxing gloss of this tune to take you away to picnics, frisbees and sunbathing. 

New Walk – connecting with Victoria Park in more ways than one. 

Dean Jackson and Kevin Hewick

Dean Jackson is a fine man. For years now, he’s been a man to influence if you’re an act from the East Midlands. Dean is the presenter of The Beat, a show that goes out across the BBC local radio network in Leicestershire, Derbyshire, Nottinghamshire and Lincolnshire. Between 8 and 10 every Saturday evening, Dean and his team feature the very best unsigned music in the region via BBC Introducing.

Kevin Hewick is a fine man. For years now, he has been an influential and yet largely unrecognised talent on the local Leicester music scene. Spend five minutes in Kevin’s company and he’ll entertain you with one of his many rock n’roll tales. Kevin was once signed to Factory records. He was very nearly the man to replace Ian Curtis as lead vocalist in Joy Division. I reviewed one of Kevin’s recent Leicester shows here

Tonight, at the BBC radio studios in Leicester, Dean Jackson briefed a gaggle of interested Leicester musicians on the processes behind BBC Introducing. In an informative session, Dean and his team told all those present how they could maximise their chances of getting airplay. If you’ve got a song with a short intro that lasts no more than four minutes and if you can convey emotion whilst singing in tune you could well be onto a winner. Clearly, there’s more to it than that and there are always exceptions. 

On Kevin Hewick’s latest album, the excellent ‘Heat Of Molten Diamonds’, there are tracks that are 13 minutes in length. Kevin was listening to Dean tonight. He asked some questions and made some comments when given the opportunity to do so. Kevin’s point (I think) was that some of the rules laid down by BBC Introducing (there are always exceptions) make it harder now than it ever was to get an audience for your recordings. This wasn’t the way it was for Can. Kevin then told all how Lauren Laverne told him to ‘bog off‘ on Twitter when he complained about her playing ‘that Daft Punk tune about Giorgio Moroder that’s 9 minutes in length.’

Despite some of these differences in opinion, you could tell that both men have a healthy respect for each other. I wish I’d written the phrase down but Kevin said something like, ‘You’re a good man within an evil empire‘ about Dean. And you got a sense that, if BBC rules allowed, Dean would love to play Kevin’s 13 minute opus on a Saturday evening. It’s certainly true that both are good for the East Midlands music scene.

Here’s a track from Kevin’s latest album. If you’ve not got a copy, it can be purchased from his website. It’s worth adding to your collection.

 

 

And here’s the excellent video of the same tune. 

The Strangler Figs

Tonight, I’ve been to another showcase night. 

But, this wasn’t at the Musician in Leicester, a venue where I feel so comfortable. This was downstairs in the Exchange bar. The Exchange has been open for a few years now and I’ve never really warmed to it. It’s at the heart of Leicester’s cultural quarter, over the road from the expensive and soulless Curve Theatre. 

This ‘cultural quarter’ was something imposed upon Leicester people by Local Authority types and Arts Council executives. I must be lacking in culture because for me the whole area feels unwelcoming, divisive and as devoid of creative excitement as can be. 

I bought a lime and soda for £2.20. I then bought a designer bag of pork scratchings for £2.50. I never knew that you could buy designer pork scratchings. They saw me coming eh? 

I digress. There were 4 acts on tonight and The Strangler Figs played last. I’ve seen them once before and their brand of pop swing is creating a buzz around town. Think smoky Parisienne bars, cultured cabaret and witty wordplay and you won’t be too far wide of the mark.

 I wrote about Birmingham based, Steady Hands, in an earlier blog and The Strangler Figs occupy a similar space. It’s music laden with quirks and charm and they might be influenced by The Real Tuesday Weld. They also might never have heard of Stephen Coates and his brand of Antique Beat. 

Here’s a track that The Strangler Figs released in January. Tonight, they put the cultural into the quarter. 

Tapestry

The weekend started well. Another band showcase night down at the Leicester Musician. Four varied acts all at the top of their craft and an appreciative, wise audience flexible enough to hop across genres.

Late additions, The Matchstick Men, did their cause no harm at all when they opened the night with their Springsteen-influenced sound. The Della Grants showed their consummate experience with a powerful,polished set of bar-room blues and Ash Mammal showed why just two weeks earlier their brand of twee punk (drawing influences from Marc Bolan) had the young (and old) flocking to their sell out show at the Y Theatre. All bands to watch on this local scene. 

But this post is about the final band of the night, Tapestry. I simply was not prepared for the show they delivered. 

There’s nothing wrong with a band that wear their influences on their sleeves but when that translates into yet more Arctic Monkey/Kasabian/Oasis wannabees I can very quickly lose the will to live. Tapestry set up on stage and there’s not a guitar in sight. Instead, here we have saxophone, drums and a bewildering array of keyboards, korgs and drum machines. The stage is a messy tardis.

Alex, Elliott and Taylor proceed to bang drums, to press keys, to bewilder with their technology. Amidst it all we get the sweetest of soul voices, bursts of sax jazz, mash-ups that fry and a charm that belies their teenage years. It’s not a rock n’roll set but it inhabits that uncertain space between band and DJ. It’s thoroughly modern, thoroughly now and I can’t wait to see them again soon.

They’ve got an EP out. Here’s a soundcloud sampler.. 

The Native

I’ve lived in Leicester for over ten years now – and have found it a wonderfully welcoming place. I’ve always gone to gigs in this lovely city and have seen many, many great acts over the years. There’s websites that promote the local scene and I’ve no intention of duplicating what they do well but from time to time when I hear a track or see a band that I want to write about then I’ll post details of them here.

I first saw the Native over a year ago – except they weren’t called The Native then. They were simply called Ben and Chloe. Ben’s vocal style reminded me of Coner Oberst. Chloe stood looking nervous waiting to complement on vocals and to accompany on violin. They’ve improved in the year since and this track has been played on Dean Jackson’s BBC Introducing The Beat. Both Ben and Chloe are still in their teens. Ben’s latest song is an ode about narcissism.